PROJECTS        DAILIES        ABOUT 
FILOSOFI KOPI: OPENING TITLES 

CLIENT: VISINEMA CONTENT
TYPE: TITLE SEQUENCE 
ROLE: ART DIRECTION, MOTION
Visinema Pictures and their creative department came for me to develop  a fresh takes on their well-known series Filosofi Kopi. 

Together, we created a synchronized story and direction developed alongside the idea of endless journey. The Artistic and Cel-Animation look was chosen to create a playful and iconic opener anyone never seen.


STYLEFRAMES

DJARUM SUPER SOCCER EURO FUTSAL 2018

CLIENT: DJARUM
TYPE: KEY VISUAL / AD
ROLE: DIRECTION, DESIGN, 3D
Djarum Super Soccer division was looking for a brand new and epic way to promote this year annual futsal tournament. They want something that feels grand, filmic, with the feel of Champions League treatment. Euro Futsal 2018 is an annual tournament for players and team from european soccer fans club accross Indonesia. 

STYLEFRAMES

GRAB REWARDS

CLIENT: GRAB
TYPE: DIGITAL / SOCMED 
ROLE: DIRECTION, MOTION
In order to promote their Rewards system, Grab Marketing Division, FullFill Creative Studio and I collaborated together to transform and bring their character (Otan) into life. The goal is for audience to find the hidden letter and visual cues in order to win a prize.

STYLEFRAMES

MERCEDES AMG

CLIENT: MERCEDES USA
TYPE: PITCH / CONCEPT
ROLE: DIRECTION, DESIGN, 3D
Mercedes asked several agencies to pitch some new takes on their 2017 AMG Performance line brand film. The concept I came up with was called Beauty of Technology, where we will highlights the main features of the cars while showing the details of in a dramatic ways. Talks about extreme close-ups, super slow motion shots, biturbo engines, and wind tunnel shots.

STYLEFRAMES

MICROSOFT HOLOLENS

CLIENT: MICROSOFT / TM
TYPE: AD PITCH
ROLE: ART DIRECTION & DESIGN
A concept pitch for Microsoft brand new Mixed Reality technology called Hololens. The goal is to visualize several scenarios how 3D projection can be projected into a real world space so user can interact with it





Styleframes

NBA IS3 CHINA

CLIENT: NBA / REPUBLIC
TYPE: AD / TV
ROLE: ART DIRECTION & DESIGN
A collaboration with Republic Studios for NBA Inside Stuff 3 Opening sequence. The goal is to showcase behind the scenes and exciting things happening outside the show. I came up with a concept where a virtual world was created to connect and mimic the actual real-world players.



Role: Designer
Studio: The Artery VFX

Director: Vico Sharabani
Producer: Esmé Wright

Styleframes
I had joy working with ODD NY and the small team on this project. Incorpotating design concepts by one of the best UI designer Ash Thorp, we managed to bring it into the spot and animated them to life.

Role : 2D; Animation, Design, Matchmoving/Tracking

Final Clip

Golf Pride "CP2" (2015) from ODD NY on Vimeo.


Golf Pride "MCC Plus 4" (2015) from ODD NY on Vimeo.



Styleframes


Full Credits
Agency: Ames Scullin O'Haire
Managing Partner / Creative Director: Patrick Scullin
Partner / Creative Director: Ryan Mikesell
Producer: Todd Johnson
Account Supervisor: Maureen Dabrowa
Production Company: ODD NY
Director / Creative Director: Gary Breslin
Executive Producer(s): Tim Case, Charles Salice
Head of Production: Matthew Turke
Producer: Bennett Lieber
Editorial: David Breslin
Compositing: Tamir Sapir, Chu Funchun
Modeler: Atsuki Hirose
3D: Nate Homan, Grant Cerulo, Ed Manning
2D: Willie Russell, Eric Konon, Amber Kusmenko, Aras Darmawan, Carlo Vega
Tracking: Arun Kumar
Smoke: Joanne Ungar
Coming soon.
Styleframes 01 - Insider Cube



Styleframes 02 - Innovation Sculpture


Let the photo war begin.

You can simply do two things at once on the new Samsung GALAXY Note 4 like sharing photos of your food instantly while talking to your best friend.

Do you Note?

Client: Samsung
Agency: RGA
Production House : The Mill
Role : "Note View" UI Design & Animation


Styleframes
Agency: Grey NY
Studio: ODD
Head of Production: Matthew, Bennett Lieber
Creative Direction: Gary
Design, Animation, Compositing: Aras Darmawan

Styleframes Final


Styleframes V1

SHOWTIME DEXTER FINALE

CLIENT: SHOWTIME
TYPE: BROADCAST / TV
ROLE: 3D, ART DIRECTION & DESIGN
Last March, I was approached by Showtime to design a treatment and put in motion the look n feel of Dexter final season. From their love on my 2011 reel intro as a starting point, I worked closely together with Art Directors at Showtime, Jason Hogg and Jonathan Rauberts to make it bloodier :)




Final Spot 

Dexter Season 8 Packaging


Dexter Season 8 Official Trailer
Verizon Science Project is a collaboration between Verizon FiOS and Marvel to promote hi-speed internet that allows kids to become something like Tony Stark and are able to create Iron Man suit with the power of FiOS internet.

Charlex invited me to work on the UI design for all the screens across this cool spot. It was great experience to be part of wonderful team at Charlex once again. The final clip at YouTube received quite a buzz and recognitions all over the web.

Role : Design, Animation

--

Client: Verizon FiOS
Agency: McCann, New York, USA
VFX: The Embassy
Post / Graphics: Charlex

for Charlex
ECD: Ryan Dunn
EP, Telecommunications: Alex Jarman

Creative Director: Dade Orgeron
Designer: Aras Darmawan
VFX Supervisor: Steve Chiarello
CG Supervisor: Salar Saleh
Lead Compositor: Kyle Derleth
2D Animation: Chris West, Shuyi Wu, Aras Darmawan
3D Animation: Ken Music
Lighting Lead: James Fisher
Lighting TD: Will Atkin, Dennis Kozyrev
Modeling Lead: Hung Ma
Rigging Lead: Steve Mann
Rigger: Andre Stuppert


Final Styleframes



Styleframes Iteration 01



Styleframes Iteration 02



Final Spot (:30)


Final Spot (:60)
1stAveMachine invited me to join and help bring director Asif Mian visions to life. Its a very challenging concept to visualize the transformation of the stage during live performance. After few sculpting iterations and changes, I ended up pushing my limits but the final result is worth it. The fun thing I learned about this pitch is that stress could helps you produce something that you never thought of you are able to create, which resulting something that people never saw before or existed in real life.

Role: Design & 3D

Final Sculpt / Styleframes



Sculpting Process / Wireframes
Photographer Julius Bramanto and Bates Indonesia came to me around late April for a collaboration proposal. The task is to redesign the latest branding for one of Sampoerna's cigarettes brand called Avolution.

Together with wonderful team at Netra, I was able to oversee and direct the entire production for both print and motion within total duration of 5 weeks. As my first Indonesian project, overall project feels fun and very challenging to work on. After couple of iterations, we think the final design turned out to be pretty awesome.

Role: Creative & Design Direction

Final Design



Personal Select



Role : Direction, Design, Motion

Styleframes

INSATURA is NETRA's first exhibition and art installation that explores Indonesian art, culture, and motion graphics in an interactive way. By collaborating with some local talents in architecture, motion graphics, sound, and interactive, this ambitious project will push the boundaries of each individual and showcasing beauty of Indonesian culture for both old and young generations to appreciate.

The exhibition is currently on hold to end of 2013 due to commercial projects overload. While the project is postponed, below of the initial styleframes I designed earlier in the process.

Role
Creative & Design Direction

Styleframes



Interactive Body is a collaboration between motion graphics, interactive, and dance choreography. I directed and designed the interactive motion graphics part of the performance aiming to create a seamless pseudo-interactive integration between the dancers and the visuals.

Production by Netra

Role
Creative & Design Direction

Styleframes


Styleframe produced at Charlex with Design Director Dade Orgeron

Role
Design

Styleframes

A pitch for Honda made at 1stAveMachine with Director Roman Ruetten.

Role
Design

Styleframes


1stAveMachine came to offer my first freelance job in 2011 and asked me to develop design treatments for Xerox pitch. In the end, I developed couple of frames. Styelframes showcased here are personal favorites.

Produced at 1stAveMachine with director Asif Mian

Role: Design

Styleframes


This is a quick turnaround Nike Fuel pitch done at Stardust NY with creative director Brad Tucker

Role: Art Direction, Design

Styleframes 01






One57 brand film is Tronic full-CG and latest architecture visualization project. One57 is the tallest luxury apartment in Manhattan soon to be out in 2012/2013

Some gamma weird issues might visible due to H264 compression

Produced at Tronic.

Role: Lead Compositor


Styleframes

Sehsucht asked me to came up with couple of intial design treatments to define the visual style for their Audi A8 film.

The end film turns out to be on a different style but the mood still remains.

3D asset is from Audi and Sehsucht . Creative Direction by Ole Peters

Role: Design Direction

Styleframes

Design Direction for one of the white scenario for Lacoste La Machine.

Produced at Tronic

Role: Design Direction, 3D, and Animation


Styleframes



PostPanic Amsterdam commissioned me to direct and design this spot for Red Bull. The promo is to simply to introduced the new Red Bull Sugar Free and that you can get it everywhere. I came up with a direction that rubiks-cube inspired, a dual floating blocks that spins in multi-direction to reveal the information on top of it. As it turns, it will changes the color, textures, and objects surrounding it based on the voice over. The ending took a little twist just to make it more exciting.

Role: Direction, Design, Animation
Produced by PostPanic


Styleframes



PostPanic approached me for a short 12 second 3d intro animation for their Heineken summer web promotion. The task is to create an effects filled intro communicating the new bottle branding and leading into the web promotion page.

Role: Direction, Design, Animation



Styleframes

Styleframes pitch for Dutch television channel Nederland 3. Commissioned by Glow Studio.

Role: Direction, Design


Styleframes



A commercial that captured a frozen moment in the night time forest, where the shoe explode and gradually imploding before the world started to become alive again. A seamless combination of CG and live action shots (in bright daylight) is the real challange on this project.

Directed by Mischa Rozema. Production by PostPanic

Role: Compositing, Post Effects


Styleframes



Project Information
A retail film for the release of the Nike Cortez Brothers Pack. The film embodies the evolution of the shoe and its benefits, rendered in a three-dimensional graffiti-like sculpture that evolves from Classic Style to Performance. The sculpture consists of hundreds of objects, each derived from elements of the shoe. The film is the third part of a retail film that also comprised 'The Cortez Brothers' (by Tokyo Plastic) and a stop-motion animation from the Nike archive.

Directed byMartijn Hogenkamp. Production by PostPanic

Role: 3D Generalist (Modeling, Texturing, Animation, Rendering) & Design


Project Information
KPN (biggest telecommunication company in The Netherlands) new fibre-optic technology is set to revolutionise consumers’ experience. The agency, TBWA/Neboko wanted memorable visual storytelling to communicate quite complex information. Mischa’s solution was a mixture of live action and animation, combining hand crafted background elements combined with super high-tech foreground light effects to illustrate the fibre-optic technology capabilities.

Directed byMischa Rozema. Production by PostPanic

Role: Design, Compositing

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